Arachnophonia: The Beatles “Abbey Road”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features the classic 1969 Beatles album Abbey Road. Thanks, Danny!

The Beatles
Abbey Road

The Beatles - Abby Road (album cover)

The question that typically comes up every time and again – a question that I find disrespectful to everyone but one, and yet worthy of the highest praise for that one in question – is one that is hotly debated. I have seen friendships one word away from disaster over the lunch table regarding this one question. I have witnessed other’s whole argument lose its pull as soon as someone had a worthy counterargument. I have seen people argue over the topic on Twitter and Instagram as if their opinion was slated in fact. I have seen people get so emotionally invested in this question that their face begins to get red, their eyes stand on the verge of tears, and every single vein in their body is one more second away from exploding. That question – the one I hate – is who is the best musical group ever?

Where does this question even get its basis from? Are we saying some genres are better than others?

Are we saying we can compare every single artist together despite no two artists being the same – with different vocals, different instruments, different cultures, different pacing, different everything? I get humans have the natural inclination to tier and rank – competition drives the world. But honestly, to me, this is an unanswerable and impossible question. Yea, we may be able to rank albums off charting positions and sales numbers. And then logically, we can say the artist that has the most cumulative sales across their whole discography is the best. That is a LOGICAL WAY to determine it. It still blows for literally every other artist other than number one – BUT – that one artist lives enshrined as the best for forever. And yet, despite me not liking that way to derive who is the “best”, it is logical. But, also, on top of the fact that humans have the natural inclination to tier and rank, humans are not the most intelligent. And instead of deciding who is the best logically, we let emotions, opinions, and our own experiences decide for us! As if it is not obvious enough, that is a one-way ticket to disaster. It brings up some pretty interesting debate, however but humans are also stubborn, and we can only imagine that nothing will ever be accomplished.

For those reasons, and just the idea that music should be appreciated for the piece of art it is and its individuality, not ranked against others because Jeff likes drums more than strings, I think that question is pretty lame.

However, I am going to explain a little bit about one album from one group that typically scores high on America’s meaningless “tier list.” Even better, I so happen to love this band, although they are not one of my everyday listens. But, since they have some of the most gripping and innovative music of the 1960s, I thought it would be a worthy choice to write about. And, even funnier, it leads into an interesting contradiction to say that I agree with the world in this case. I do not know if that now pigeonholes me into the broader term of being “basic,” but in this case, I will put aside that argument and agree with the world.
This leads me to this point: If I were to rank all bands, and put my differences aside with that impossible question, I would put the Beatles up at the very top – maybe not one, but top twenty. More specifically, if we were to rank albums, Abbey Road would be even higher.

Abbey Road album cover outtatke

To begin, Abbey Road is the 11th studio album of the Beatles, their second to last studio album and 11th in just over six years. The group itself is composed of Paul McCartney, John Lennon, George Harrison, and Ringo Starr, although Ringo was not one of the original members of the band (he replaced Pete Best in 1962). Together, the Beatles shot to worldwide prominence outside of their home country of the UK and more specifically their hometown of Liverpool. Their rise to American prominence began in the early 60s as many British bands were beginning to come to America in what was known as the “British Invasion.” If were to use the LOGICAL approach, the Beatles would be the most popular band of all time, selling 183,000,000 albums throughout their history. The album itself was a bit of a distance from some of the previous albums – they almost reverted back to their beginnings. The album did not contain many psychedelic hits as the majority of their later albums did. However, despite this, the band recorded the album at their breaking point; this was the last album that was released when they were all together, as John Lennon had made his exit from the brand prior to commercial release.

The album, in my opinion, demonstrates complete duality. Although the music is praised for being one of their best, with hit after hit, the band’s health, and the health of each of the members were deteriorating behind the scenes. The members were all annoyed with each other and George Martin played saving grace, trying to get the project to the world and to completion, whilst attempting to reduce the trouble brewing between the members. The wear and tear of fame, constant studio work, and trying to deal with it all took a toll on the Beatles by 1969, which caused a lot of the issues. They had faced adversity, as the band would experiment with cocaine, LSD, and marijuana in the mid to late 60s, followed by a crippling heroin addiction by three of the members. Behind the scenes, the Beatles were at their lowest and were struggling in their personal lives. It is still amazing that despite all the negatives, they somehow put their troubles, their conflicts, and their egos aside and created one of the most iconic songs of all time.

Some of my personal favorites off the album, are “Something,” “Here Comes the Sun,” “Oh Darling”, and “Because.” A large portion of the songs that I like most (in this case “Something” and “Here Comes the Sun”) were written by George Harrison. You could almost immediately tell when Harrison was the writer, with a distinct sound. In the case of Abbey Road, his songs were more melodic and slower, a slight diversion from the rock-infused roots that rose the band to prominence. They make for some of the most beautiful songs in their entire discography, but slightly behind my all-time favorite song from them – “While My Guitar Gently Weeps.” In my opinion, that song, with Eric Clapton playing the guitar in the background is the greatest Beatles song. The slower and melodic piece, with the guitar sounding almost as if it really was crying is nothing short of a masterpiece. And so, I consider myself biased in response to my favorites – George’s style and influence was something that resonates with me. That is yet another reason why I dislike ranking. Because in this case, my opinions, and biases seep through heavily.

Finally, as for the most influential and iconic portion of the piece, the Abbey Road album cover has become one the most definitive images of the band. Although an album cover that was very simplistic in nature, the image holds a variety of meaning and captures the Beatles’ spirit and careers all in one image. The image itself features all four Beatles walking along a crosswalk on Abbey Road, which is a street in London where EMI studios, the recording studio of the Beatles was housed. From left to right, there is George Harrison, in a jean shirt, jeans, white boots, long hair and a beard. This encompasses their later years, in which most of the members began to grow their hair out amidst the war years and counter-culture movement. To his right is Paul McCartney in a blueish-grey suit, a cigarette in hand, and a shorter hairstyle that is reminiscent from their pre-fame days. Afterward is Ringo Starr, dressed in a black suit. Finally, John Lennon finishes the image, with his long hair and all white appearance. Although not traditionally associated with the image, John being last in line wearing all white to me symbolizes heaven and the idea that the band is nearing their end. They are looking to the light and waiting for their come to end. The final piece of the album cover that many do not know is that the photographer only took six images of them. The Beatles walked down back and forth along the street three times. This cover image was the fifth image taken, and they were walking away from the studio. If we were to blow up the image, EMI would be on the left. This also foreshadows their immediate exit, as them walking away from EMI hints at their careers together ending.

Abbey Road album cover outtake

Image 3 (of 6) from the Abbey Road album cover shoot. Photo: Iain MacMillan

The everlasting impact of the band and this album is one that will live on forever in the minds and hearts of all music lovers. It is so popular to this date, that in 2019, 246,000 vinyl copies were sold. This comes over fifty years after its initial release. And so, to close, despite saying in the beginning of this piece that I hate rankings and considering a band to be the “best,” if I ever had the chance to make my opinion fact and that that becomes the standard everyone will have to adhere by – I would place Abbey Road in the top 15 albums of all time.

If you are so inclined to relisten to this masterpiece, or grace your ears for the first time, you can check out a copy of Abbey Road at Parsons Music Library today.

Parsons Playlists: Phonk

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Nikoloz (class of 2026) and features phonk, a subgenre of hip hop and trap music which is popular in Russia.

Phonk

Phonk songs, especially Drift phonk, usually use distorted/sampled sounds that most of us are familiar with. Regardless, these phonk songs sound quite different from those melodies you might know and love, to the point where you wouldn’t guess in a thousand years that music pieces that you listen to on a regular basis are used for their creation.

This phonk comes from Russia, however more recent works that become popular are in English (That is, of course, if they have any lyrics at all.)

Phonk - Angry Skeleton purple background

PLAYAMANE x Nateki – “MIDNIGHT”

VISXGE – “IMMACULATE”

SHADXWBXRN, ARCHEZ, KXNVRA – “PRINCE OF DARKNESS”

donttrustthem – “PHONK – all alone”

MoonDeity – “NEON BLADE”

MC ORSEN – “WARNING”

ONIMXRU x SMITHMANE – “SHADOW”

Isolate.exe – “Crystals”

АДЛИН — “Dead Inside”

KORDHELL – “MURDER IN MY MIND”

MC Mazzie – “Ele Te Bota Soca Soca” Feat. Mc RD (DJ Wizard e DJ NpcSize)

Freddie Dredd – “Devil’s Work”

Funk Tribu – “Phonky Tribu”

Ezekiel – “help_urself (prod.dyn remix)”

KUTE – “AVOID ME”

líue – “Suffer With Me”

GRAVECHILL – “Twilight”

PlayaPhonk – “KERAUNOS”

PlayaPhonk – “PHONKY TOWN”

PASTEL GHOST – “Silhouette”

Dxrk ダーク – “RAVE”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZextsRtFgHC_dcqnR0d4GkMm

Parsons Playlists: Inspired by Taylor Swift’s “Midnights”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Kiran (class of 2024) and features songs inspired by Taylor Swift’s newest album Midnights.

Inspired by Taylor Swift’s Midnights

This playlist is inspired by Taylor Swift’s latest album. If you liked Midnights, check out these ten songs similar to her latest tracks!

Taylor Swift - Midnights

Doja Cat – “Been Like This”

Harry Styles – “Daylight”

Billie Eilish – “TV”

Taylor Swift – “Cornelia Street”

Arcade Fire – “My Body Is A Cage”

Dua Lipa – “Boys Will Be Boys”

Coco & Clair Clair – “Pretty”

Lana Del Ray – “13 Beaches”

Born At Midnite – “Hawt Heart”

Troy Sivan – “Easy”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewUUyWFhQfDSJDIm3st-Y7q

Arachnophonia: “In the Hall of the Mountain King”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Amy (class of 2025) and features “In the Hall of the Mountain King”. Thanks, Amy!

“In the Hall of the Mountain King”

In the Hall of the Mountain King - Peer Gynt

Ibsen Peer Gynt Before The King Of The Trolls Illustration By Arthur Rackham (1867-1939)

With Halloween nearing, now is the perfect time to listen to a classic “scary” piece of classical music: “In the Hall of the Mountain King” – incidental music by composer Edvard Grieg from Henrik Ibsen’s play Peer Gynt.

Peer Gynt tells the story of a man, Peer, who is in love with a girl he is not allowed to marry. After leaving home, he ends up in the hall of the Mountain King after being captured by trolls. The King of the Trolls upsets him when he refuses to marry the King’s daughter and become a troll. In the end, Peer barely makes it out by running away from the trolls. The piece “In the Hall of the Mountain King” plays when Peer insults the king, and the trolls start to chase him as he runs away.

The drama was written by Henrik Ibsen, who originally did not want the show to ever be performed. However, 7 years later, Ibsen changed his mind and asked Edvard Grieg to write the music for the production. The show premiered on February 24, 1876, in Mollergaden Theatre, Christiania, which is now Oslo, Norway. Grieg re-orchestrated the music before productions in Copenhagen, Denmark. During a revival of the show in 1902, he added new pieces to the show. The score was finally published a year after Grieg died, in 1908.

The piece starts out slow with quiet notes to simulate the quiet footsteps of Peer as he tries and sneaks away from the Troll King. The music grows louder as the trolls slowly get closer to Peer. The music swells as Peter starts running and fighting off the trolls, trying to get away.

You can listen to Grieg’s “In the Hall of the Mountain King” in the CD section of the Parson’s Music Library and find the Orchestra Suites from the Music to Peer Gynt arranged for the piano in the scores section.

In the Hall of the Mountain King music notation

Parsons Playlists: Chamber of Secrets

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Esther (class of 2025) and features an assortment of chamber music.

Harry Potter and the Chamber of Secrets”

One of my favorite aspects of chamber music is exploring the intimacy of its subtle expressions. Here are some of my top chamber music pieces (including some I’ve been gatekeeping).

Chamber Orchestra

Robert Schumann – Piano Quintet in E-Flat Major Op. 44, Mvt. 1

Sergei Rachmaninoff – Trio élégiaque in G Minor No. 1

Johan Halvorsen – Passacaglia for Violin and Viola

Antonín Dvořák – Bagatelles Op. 47, Mvt. 5

Ludwig van Beethoven – String Quartet in F Minor Op. 18, No. 1, Mvt. 2

Felix Mendelssohn – String Octet in E flat Major Op. 20, Mvt. 3

Dmitri Shostakovich – Two Pieces for String Octet, Op. 11, Mvt. 2

Franz Doppler – Nocturne, Op. 19

Pablo de Sarasate – Navarra, Op. 33

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zew5NyVTiSg-ofiHKC01sZha

Arachnophonia: Bob Dylan “100 Songs”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features a collection of 100 lyrics by Bob Dylan. Thanks, Eliana!

Bob Dylan

100 Songs

Bob Dylan - 100 Songs (book cover)

Bob Dylan is one of the most prolific singer-songwriters of the 20th century. He has written over 500 songs throughout the span of his career, both for himself and other artists. His most famous works include “Blowin’ in the Wind” and “The Times They Are A-Changin’,” which became civil rights and antiwar anthems following the frustrations many Americans were facing in the 60’s. He has received a plethora of awards, including ten Grammys, a Golden Globe, an Oscar, and the Nobel Prize in Literature.

His book, 100 Songs, is a self curated collection of 100 of his most profound works. His lyrics adorn the pages, underscoring their poetic nature. If you’re a fan of Dylan’s work, the book is a must read. For me, seeing his lyrics sprawled across 200 pages deepens their significance and allure.

You can check out this book, along with over 100 other Bob Dylan-related materials, from Parsons Music Library. Maybe grab a CD or two to enhance your reading experience!

Parsons Playlists: “The Turn of the Seasons”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Marissa (class of 2025) songs celebrating the transition from summer to fall.

The Turn of the Seasons

This playlist starts out with that feeling of missing the warm weather and the ease of summer. As the songs go on, the listener feels more accepting of the new season, and is eventually overwhelmed by the excitement of leaves falling and sweater weather.

Taylor Swift – “august”

WILLIS – “I Think I Like When It Rains”

The Beatles – “Yesterday”

Taylor Swift – “right where you left me”

Meryl Streep and Amanda Seyfried – “Slipping Through My Fingers”

Ed Sheeran – “The A Team”

Harry Styles – “As It Was”

Wabie – “Love Me Tomorrow”

Green Day – “Wake Me Up When September Ends”

Post Malone – “Circles”

Ritt Momney – “Put Your Records On”

Coldplay – “Yellow”

Declan McKenna – “Brazil”

Earth Wind & Fire – “September”

Here is a link to the whole playlist on YouTube: https://www.youtube.com/watch?v=nn_0zPAfyo8&list=PLEPpzeK8v3s2_m0TioXsHNJ_80uYGSfCl

Arachnophonia: Amy Winehouse “Back To Black”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Deisy (class of 2024) and features Amy Winehouse’s 2007 album Back To Black. Thanks, Deisy!

Amy Winehouse

Back To Black

Amy Winehouse - Back to Black

Throughout my years in college, I have tried to expand my musical taste by asking friends to introduce me to some of their favorite artists. Along the way, a good friend of mine introduced me to Amy Winehouse, one of the best things in my life. My favorite song of hers has to be “You Know I’m No Good” and “Back to Black.” Her Back to Black album was on repeat for a long time in 2021 as I began to discover more of her work.

If people are interested in discovering new artists and songs, I recommend asking a friend or coming to the Parsons Music Library where there is a large collection of CDs and LPs to look through.

Parsons Playlists: “Mid Day Car Rides”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manger Brianna (class of 2023) and features songs to enjoy on a mid day car ride.

Mid Day Car Rides

These are my favorite songs to play when I am on the way home from a long day.
P.S. This playlist is even better if the windows are rolled down.

Music for Mid Day Car Rides

Young Mister – “Anybody Out There”

Your Neighbors – “Chicken”

snny – “Better To Leave It”

Between Friends – “Suburban Wonderland”

Tommy Newport – “Tongue & Cheek”

Sarah and the Sundays – “Take Your Time”

Tame Impala – “Patience”

French Cassettes – “City Kitty”

Magic City Hippies – “Champagne on the Rider”

Djo – “Personal Lies”

Laundry Day – “Jane”

Hippo Campus – “Ashtray”

OK Houston – “Slowly Spinning Room”

Goth Babe – “Weekend Friend”

Here’s a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zez6coNtI_6VZ3egjiCG8yPI

Arachnophonia: Mozart’s Letters, Mozart’s Life

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Esther (class of 2025) and features a collection of Mozart’s letters. Thanks, Esther!

Mozart’s Letters, Mozart’s Life: Selected Letters
Edited and translated by Robert Spaethling

Portrait of a young Mozart

Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770

When we first hear the term “classical music,” we often think of great composers like Beethoven and Mozart. Despite his relatively short life, Mozart is known and celebrated for his prodigious musicality and influential compositions even to this day. But what was Mozart like? You may know several of his pieces, but have you taken the time to consider the person behind these famous pieces?

There’s no better way of being first introduced to Mozart’s private life than Mozart’s Letters, Mozart’s Life by Robert Spaethling. Spaethling, a scholar of German literature of the 19th and 20th centuries and Mozart, has carefully chosen and depicted a compilation of Mozart’s letters spanning twenty-two years of the young composer’s life. Spaethling’s most recent edit of these letters provides us with the most accurate translation to appropriately convey Mozart’s nuanced personality.

Mozarts Letters Mozarts Life

Through Mozart’s Letters, Mozart’s Life, we are invited to explore Mozart’s innermost thoughts and raw perspective of life. In addition to the analysis of the different voices that shine through in Mozart’s candid letters, Spaethling includes information, such as various life events throughout the composer’s life, that encourages us to think deeply and have greater appreciation for the person behind these great works.