Black Composers Matter: William Grant Still

William Grant Still
(May 11, 1895 – December 3, 1978)

William Grant Still by Carl Van Vechten

William Grant Still is often referred to as the “Dean of African American Composers.” During his lifetime, he composed nearly 200 works including five symphonies, four ballets, nine operas, and more than thirty choral works, plus art songs, chamber music and works for solo instruments.

Still was born in Woodville, MS in 1895 and grew up in Little Rock, AR. He showed a great interest in music and learned to play violin, clarinet, saxophone, double bass, cello and viola.

He studied music theory and counterpoint at the Oberlin Conservatory of MusicHe also studied privately with the modern French composer Edgard Varèse and the American composer George Whitefield Chadwick.

In 1916 Still worked with W.C. Handy‘s band. In 1918 he joined the United States Navy to serve in World War I. After the war he went to Harlem, where he continued to work for Handy. During his time in Harlem, Still was involved with other important cultural figures of the Harlem Renaissance such as Langston Hughes, Arna Bontemps, and Countee Cullen, and is considered to be part of that movement.

He worked with various bandleaders and in pit orchestras as well as becoming an arranger of popular songs during the 1920s and 1930s. He also arranged music for films like Pennies From Heaven (1936) and Lost Horizon(1937). Still’s prolific and influential career as a commercial arranger is only beginning to be explored.

Still’s first major orchestral composition, Symphony No. 1 “Afro-American”, was performed in 1931 by the Rochester Philharmonic. It was the first time the complete score of a work by an African American was performed by a major orchestra.

In 1949 his opera Troubled Island, originally completed in 1939, about Jean-Jacques Dessalines and the Haitian revolution, was performed by the New York City Opera. It was the first opera by an American to be performed by that company and the first by an African American to be performed by a major opera company.

https://doi.org/10.1093/gmo/9781561592630.article.26776

If you’d like to learn more about William Grant Still, here are a few items from the Music Library’s collection:

* William Grant Still by Catherine Parsons Smith (book)

* The American Scene William Grant Still (Streaming audio via Classical Music Library)

* Africa: A Suite for Piano (Score)

* Troubled Island: An Opera by William Grant Still (available as a Score and as a CD)

* Symphony No. 1 “Afro American” (available on CD, as Streaming Audio, and as a Score)

Still at the piano later in life

Black Composers Matter

Black Composers Matter: Errollyn Wallen

Errollyn Wallen
b. April 10, 1958

Errollyn Wallen was born in Belize and moved to London with her family at the age of two.

She trained as a dancer at the Maureen Lyons School of Dancing and the Urdang Academy before taking dance classes at the Dance Theater of Harlem and went on to study music and composition at the universities of London and Cambridge.

According to Grove Music Online, “Wallen draws inspiration from a great diversity of sources in her music. It is above all characterized by a deeply expressive lyricism … and a delight in vibrant dance rhythms …” Her work is also influenced by avant-garde classical music as well as popular songwriting and includes operas, chamber music, and choral music as well as orchestral music.

In 1998, she was the first Black female composer to have an orchestral work – her Concerto for Percussion and Orchestra – presented at the BBC Proms. In 2020, she was commissioned to create a new version of “Jerusalem” (which is considered sort of a standby British national anthem) for the Last Night of the Proms.

Her works Principia and Spirit in Motion were commissioned for the opening ceremony of the 2012 Paralympic Games and their première was watched by a capacity audience of 80,000 people and broadcast to a billion people around the world.

If you’d like to learn more about her, here are some works by Wallen from the Music Library’s collection:

* The Errollyn Wallen Songbook (Score)

* I Wouldn’t Normally Say: Piano Solo (Score)

* Errollyn Wallen (Reference entry via Oxford Music Online)

And as always, YouTube (see video below of Wallen performing some of her own songs), Spotify, her official website, and other social media!

Black Composers Matter

Black Composers Matter : Daniel Bernard Roumain

Daniel Bernard Roumain (aka DBR)
b. 1970

Haitian-American composer Daniel Bernard Roumain (aka DBR) was born in Skokie, Illinois. His family moved to Fort Lauderdale Florida subsequently. As a first-generation American, DBR’s family home was filled with Haitian folk music and his family encouraged him to listen to a variety of classical and contemporary music.

He discovered the violin at age 5. In junior high school, he formed his own rock / hip-hop band playing guitar and synthesizer.
He majored in music composition at Vanderbilt University’s Blair School of Music and continued his studies at the University of Michigan where he earned both his masters and doctoral degrees.

DBR is an innovative composer, performer, activist and educator. His works blend hip-hop, funk, rock and classical music into genre defying, energetic and experimental forms. He has collaborated with many orchestras and chamber ensembles around the world. His eclectic musical interests are reflected in the fact that he has collaborated with all manner of artists like Philip Glass, Lady Gaga, Bill T. Jones, DJ Spooky, and Cassandra Wilson.

DBR music workshop photo

DBR taking an unconventional approach to violin playing in a 2012 workshop .

Here’s a quote from Roumain’s website that gives a nice overview of the width and breadth of his work to date:
“Known for his signature violin sounds infused with myriad electronic, urban, and African-American music influences, DBR takes his genre-bending music beyond the proscenium. He is a composer of chamber, orchestral, and operatic works; has won an Emmy for Outstanding Musical Composition for his collaborations with ESPN; featured as keynote performer at technology conferences; and created large scale, site-specific musical events for public spaces.”

And here is link to an NPR piece about the 2017 premiere of We Shall Not Be Moved – an opera about the 1985 bombing of the MOVE house in Philadelphia :


If you’d like to learn more about DBR, here are some items from our collection:

* Revolutionary Rhythm (CD)

* Liasons: Re-Imagining Sondheim from the Piano (CD and also Score)

* Blues Dialogues: Music By Black Composers (CD)

* Homegoings (Documentary Film scored by Roumain, available to stream via Alexander Street Press)

Homegoings film poster

* You can also follow DBR on social media such as YouTube, Facebook, Instagram, Twitter, and Spotify.

Black Composers Matter

Black Composers Matter: Zenobia Powell Perry

Editor’s note: In conjunction with the current “Black Composers Matter” display at the Music Library, I – your friendly neighborhood Music Library Associate – had a great time researching for it and I thought it might be nice to showcase the Black Composers highlighted therein. Things that are linked will take you to additional relevant information or to OneSearch for library-owned materials.

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Zenobia Powell Perry
(October 3, 1908 – January 17, 2004)

Perry was born in Boley, Oklahoma into a well-educated, middle class family. Her grandfather, who had been enslaved, sang her traditional spirituals as a child, which later influenced her work.

When she was about 7 years old, she met Booker T. Washington and sang for him at his appearance in Boley on August 22, 1915. She won a piano competition in 1919, and also learned to play violin.

Perry went on to study music at Berryman Conservatory in Nebraska and the Hampton Institute in Virginia. In 1935, she started at the Tuskegee Institute where she studied with composer William L. Dawson, who encouraged her to compose original work. She graduated from Tuskegee in 1938.

After Tuskegee, Perry became part of a Black teacher training program which was headed by Eleanor Roosevelt (who helped to fund Perry’s graduate studies).

Perry (left) with music students and teachers in 1949.

Perry worked as a professor at several historically black colleges and universities (HBCUs), including Central State University in Ohio.

She did not seriously begin composing until she was in her 40s. Her music is classical with some jazz and folk influence. She wrote an opera Tawana House (first performed in 1987 and revived in 2014), as well as works for voice, orchestra, band and a mass.

American Composer Zenobia Powell Perry

If you’d like to learn more about her, here are some items about Perry from the Music Library’s collection:

* American Composer Zenobia Powell Perry: Race and Gender in the 20th Century by Jeannie Gayle Pool (Book)

* Soulscapes: Piano Music by African American Women (CD)

* Black Women Composers: A Century of Piano Music (1893-1990) edited by Helen Walker-Hill (Score)

* You can also find her works by searching on streaming services like Spotify or Youtube!

Black Composers Matter

New CDs added – September 2020

New CDs for September 2020

Orchestral, Concertos and Chamber Music

Paul Ben-Haim – Symphony No. 2
Czech National Sympony Orchestra- 20th Century Visions

Paul Ben-Haim  - Symphony No. 2

Piano Music

Amanda Maier & Julius Rontgen – Amanda & Julius: Works for Piano

Amanda & Julius - Works for Piano

Jazz

Rez Abbasi – Django-Shift
Aditya Prakash Ensemble – Diaspora Kid
Avishai Cohen – Big Vicious

Aditya Prakash Ensemble - Diaspora Kid

Gigi Gryce – The Classic Albums 1955-1960
Mike Longo – Live from New York!
Alexa Tarantino – Winds of Change
Samoa Wilson with the Jim Kweskin Band – I Just Want To Be Horizontal

Alexa Tarantino - Winds of Change

Opera, Opera Excerpts, Choral Music and Art Songs

Lawrence Conservatory Contemporary Music Ensemble – A La Par
Will Liverman & Jonathan King – Whither Must I Wander
Sir Hubert Parry – Songs of Farewell & works by Stanford, Gray & Wood

Lawrence Conservatory - A La Par

Popular Music

Billie Eilish – When We All Fall Asleep, Where Do We Go?
Gangstagrass – Broken Hearts and Stolen Money
Jake La Botz – They’re Coming For Me
Cary Morin – Tiny Town

Billie Eilish - When We All Fall Asleep Where Do We Go

Lou Reed – Lou Reed
Lou Reed – Transformer
SUSS – High Line
White Whale Records – The Land of Sensations & Delights: The Psych Pop Sounds of White Whale Records 1965-1970

Gangstagrass - Broken Hearts and Stolen Money

Percussion Music

Sandbox Percussion – And That One Too
UVA Percussion Ensemble – Speed of Sound

Sandbox Percussion - And That One Too

New CDs added – COVID Closure, Part 2

New CDs for Covid Closure 2020
Part 2

Concertos and Chamber Music

Thamyris – A City Called Heaven
Giovanni Battista Viotti – Flute Quartets Op. 22

Viotti - Flute Quartets

Piano Music

Maria Corley – Soulscapes: Piano Music by African American Women
Jade Simmons – Revolutionary Rhythm

Jade Simmons - Revolutionary Rhythm

Jazz

Jocelyn Gould – Elegant Traveler

Jocelyn Gould - Elegant Traveler

Art Songs & Choral Music

Leslie Adams – Love Rejoices: Songs of H. Leslie Adams
Tania Leon – In Motion
Tania Leon – Singin’ Sepia

Tania Leon - Singin Sepia

New York Philharmonic – Avodath Hakodesh
William Grant Still – Skyward My People Rose: Music of William Grant Still

Skyward My People Rose

Instrumental Music

Ludovico Einaudi – Seven Days Walking. Day One.

Ludovico Einaudi - Seven Days Walking

Popular Music

Sophie Tucker – Origins of the Red Hot Mama, 1910-1922
Various Artists – Ella 100: Live at the Apollo

Sophie Tucker - Origins of the Red Hot Mama

World Music

Groupe RTD – The Dancing Devils of Djibouti
Manhu – Voices of the Sani
Purna Loka Ensemble – Metaraga

Groupe RTD - Dancing Devils of Djibouti

New CDs added – COVID closure, Part 1

New CDs for Covid Closure 2020
Part 1

Concertos, Orchestral and Chamber Music

John Luther Adams – Become Desert
J.S. Bach – Bach – The Six Partitas – Angela Hewitt
Rachel Barton Pine – Blues Dialogues

Rachel Barton Pine - Blues Dialogues

Rachel Barton Pine – Violin Concertos * Dvorak/Khachaturian
Silvestre Revueltas – Revueltas – Centennial Anthology 1899-1999, 15 Masterpieces
Various Artists – Project W: Works by Diverse Women Composers

Project W

Organ Music

Bruce Stevens – Rheinberger Organ Sonatas Volume 5

Bruce Stevens - Rheinberger Organ Sonatas V. 5

Jazz

Delfeayo Marsalis & Uptown Jazz Orchestra – Jazz Party
Makaya McCraven – In The Moment
Makaya McCraven – Universal Beings

Delfeayo Marsalis - Jazz Party

Opera, Opera Excerpts and Art Songs

Michael Fabiano – Verdi * Donizetti
Alexander Zemlinsky – A Florentine Tragedy / Six Maeterlinck Songs

Zemlinsky - A Florentine Tragedy Six Maeterlinck Songs

Choral Music

Jan Garbarek & the Hilliard Ensemble – Remember me, my dear
Johannes Ockeghem – Johannes Ockeghem: Complete Songs Volume 1
Jake Runestad – The Hope of Loving: Choral Music of Jake Runestad

Runestad - Hope of Loving

Ambient Music

Kankyo Ongaku – Japanese Ambient, Environmental & New Age Music, 1980-1990

Ongaku - Japanese Ambient

Popular Music

Bedouine – Bird Songs of a Killjoy
James Hunter Six – Nick of Time
James Hunter Six – Whatever It Takes
Janelle Monae – The Electric Lady

Bedouine - Bird Songs of a Killjoy

The Primitives – Bloom! The Full Story 1985-1992
Lou Reed – The Essential Lou Reed
Lou Reed – Metal Machine Music
Harry Styles – Harry Styles
Various Artists – Strut My Stuff: Obscure Country & Hillbilly Boppers

Strut My Stuff - Obscure Country

World Music

Lambert Company – Attractive Hebrews: The Lambert Yiddish Cylinders, 1901-1905
Nazar – Guerrilla

Nazar - Guerrilla

Parsons Playlists : “A Tribute to Adam Schlesinger (1967-2020)”

Welcome to our second installment of Parsons Playlists. Our second playlist is from Music Library Associate, Melanie Armstrong and is a tribute to songwriter Adam Schlesinger, whose career was cut short on April 1st, 2020 due to complications from Covid-19.

Adam Schlesinger

Melanie says: “I first became aware of Adam Schlesinger’s work when I discovered the band Fountains of Wayne in the early 2000s. But come to find out, I had already heard his amazing pop sensibility thanks to the title song of the 1996 movie That Thing You Do!. He wrote music for many other TV, Broadway and film projects and also for the musical TV series Crazy Ex-Girlfriend, which happens to be one of my very favorite recent TV shows. I also threw in a couple of TV Christmas songs since I blog about holiday programs with my husband. So please enjoy this sampling of his amazing and alas too short career! This music will definitely make you smile though, and that’s quite a legacy to leave behind.”

Fountains of Wayne – “Stacy’s Mom” (2003) (probably the biggest hit of the group’s career)

Fountains of Wayne - Welcome Interstate Managers album cover (2003)

Fountains of Wayne – Welcome Interstate Managers album cover (2003)

The Wonders – “That Thing You Do” (1996)

Pretend 1960s single cover for "That Thing You Do"

Josie and the Pussycats – “Pretend To Be Nice” (2001)

Josie and the Pussycats (2001)

Crazy Ex-Girlfriend Cast featuring Santino Fontana – “Settle for Me” (2015) (A delightful Emmy-nominated little Fred & Ginger musical pastiche)

Settle for Me

Hugh Grant & Drew Barrymore in Music & Lyrics – “The Way Back Into Love” (2007)

Fountains of Wayne – “Radiation Vibe” (1996)

Fountains of Wayne - Self Titled Debut album

Crazy Ex-Girlfriend (featuring Rachel Bloom) – “You Stupid Bitch” (2016)

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Stephen Colbert – “Another Christmas Song” (2008)

A Colbert Christmas (2008)

Crazy Ex-Girlfriend Cast – “California Christmastime” (2015)

Cry-Baby Musical Cast – “Nobody Gets Me” (2007)

Cry-Baby the Musical

Fountains of Wayne – “Hey Julie” (2003)

The Monkees – “Our Own World” (2016)

The Monkees - Good Times!

12th studio album by the Monkees, produced by Adam Schlesinger and released in 2016

Ivy – “Edge of the Ocean” (2001)

Crazy Ex-Girlfriend Cast (featuring Michael Hyatt) – “Antidepressants Are So Not A Big Deal” (2019) (Won Emmys for Outstanding Music & Lyrics and Outstanding Choreography)

GettyImages-1174801858

Adam Schlesinger, Rachel Bloom and Jack Dolgen celebrating their Emmy win for “Antidepressants Are So Not A Big Deal”

Fountains of Wayne – “Sink to the Bottom” (1996)

Adam Schlesinger – Youtube Playlist

Spotify Playlist (with bonus songs!)

Parsons Playlists: Walking Music

Although we are all socially distant at the moment, we thought it might be fun and encouraging to share playlists as a way to connect (with a tip of the hat to our friends at the Modlin Center for the Arts who started sharing playlists a couple of weeks ago).

To kick things off here’s a play list from Linda Fairtile, the Head of Parsons Music Library.

Dr. Fairtile says, “It’s a mix of jazz and classical music that I listen to on my morning walk. It makes me happy and gets my feet moving.”

Ahmad Jamal – “Poinciana (Live at the Pershing, Chicago 1958)”

Ahmad Jamal at the Pershing

Silvestre Revueltas – “Caminando” (1937)

Silvestre Revueltas

Oscar Peterson – “Night Child”

Oscar Peterson - Freedom Song: The Oscar Peterson Big 4 in Japan '82

Philip Glass – “Akhnaten (Act I, Scene I: Funeral of Amenhotep III)”

Philip Glass - Akhnaten

Stanley Turrentine – “Pieces of Dreams”

Stanley Turrentine Pieces of Dreams

Walking Music – Youtube Playlist

Arachnophonia: America “The Complete Greatest Hits Collection”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Jane (class of 2022) and features the band America’s Complete Greatest Hits Collection. Thanks, Jane!

America

The Complete Greatest Hits Collection

America - Complete Greatest Hits

If you know me, you know I listen almost exclusively to music from the 70’s and 80’s (see my posts about Steely Dan and A Chorus Line, the musical). That’s not to say that I don’t love music being produced today—I do–but my heart lies in my parents’ music. And a band my parents absolutely loved is America.

America has been making music for decades — really. They have 16 albums, not including special anniversary editions, re-releases, or any other specialty disc. They published their first album, America, in 1971, and their most recent album, Back Pages, is from 2011. That might sound like a lot of music, and it is, but we luckily have a Greatest Hits CD, which encompasses almost all of my favorite songs. “Daisy Jane” is one of the sweetest love songs I know (and it’s not just because 7 year-old me liked that my name was in the title).

America - A Horse With No Name single

By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=19104741

If you’re a beginner at guitar, start with their arguably most famous song — “A Horse With No Name”. It’s literally two chords going back and forth throughout the entire song. When recently asked, I said that “Ventura Highway” is the song that best represents me. “Tin Man” (based on The Wizard of Oz), “Sister Golden Hair”, “You Can Do Magic”, and “I Need You” are some of my other favorites.

America’s music feels home-y. You can tell they’re really playing their instruments, and it’s so clear through their music that they simply love what they do. Their songs fall under the genre of folk rock, and a lot of them are about the experiences they’ve had in California, which I love listening to if I’m ever feeling homesick about being away from LA.

I actually watched America in concert a few years ago. My mom, my sister and I went together, and we couldn’t believe that after 40 years, they still sounded like their records from the 70s. If you’re looking for good, laid-back, driving with the windows down kind of music, I’d check them out.

(And just a hint: if you like this kind of music, go to the library search website, click on the “Subjects” tab, and type in “Rock music—1971-1980.” You can thank me later)