Arachnophonia: The Miles Davis Story

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Griffin (class of 2027) and features a film documentary about jazz legend Miles Davis. Thanks, Griffin!

The Miles Davis Story

The Miles Davis Story

A revolutionary figure in the Jazz genre, Miles Davis is the most influential figure in Jazz since Louis Armstrong. The British documentary The Miles Davis Story follows the artist throughout his career, beginning from high school up until his death. The film explores the man behind the music through a collection of interviews from his close musician colleagues, family, friends, past relationships, historians and rare interview footage of Miles himself.

What I found very interesting was how popular Miles Davis became outside America. Europeans were much more accepting and interested in Jazz than back home, where the scene for the genre was dying in New York. They held Davis to a higher regard as well, treating his music as high-class art, and he wasn’t scrutinized for drinking or smoking like he would in the U.S. for “indecent behavior.” Another topic I found surprising was the amount of direct conflict Miles Davis faced with segregation. I have never thought of the artist as very political, but it was unavoidable for him not to confront these truths, partially from the flamboyant lifestyle that many did not approve of. Aware of these cultural tensions, he often supported other black artists and figures. Davis was incredible at finding new talent to play alongside and drive for new innovations in sound throughout his entire career. This is proven by just how many bandmates were interviewed.

The artist didn’t come without his flaws. The documentary explores every facet of his pioneering career, which includes issues with his romantic affairs and struggle with drugs that ultimately played a part in his untimely death. Throughout it all, one thing was certain: Miles Davis had a gift to constantly innovate his music at every age and cared more passionately about his work than anything. His story is quite reminiscent of another late and great legend of music, Prince, who would follow in remarkably similar footsteps. The film’s interviews add great layers to who this artist really was, on top of the beautiful music, and some gorgeous photography and cinematography of Miles Davis throughout his life. Check out The Miles Davis Story from the music library today to see it for yourself!

Parsons Playlists: Karaoke Songs

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Griffin (class of 2027) which features some songs karaoke-d at a recent party.

Karaoke Songs

People gathered around a karaoke mic singing

I recently hosted a karaoke night event, and thought it would make a good playlist as a reference for the future, as well as a memento of the songs that night. Below are the songs that were sung, plus a few more that were queued up, but we ran out of time. Hope you enjoy!

ABBA – “Dancing Queen”

Kelly Clarkson – “Since U Been Gone”

Train – “Drops of Jupiter”

Billy Joel – “Piano Man”

Sir Mix-A-Lot – “Baby Got Back”

Salt-N-Peppa – “Shoop”

Lady Gaga ft. Beyoncé – “Telephone”

Beyoncé ft. JAY-Z – “Deja-vu”

Adele – “Set Fire to the Rain”

Bon Jovi – “Livin’ On A Prayer”

Carly Rae Jepsen – “Call Me Maybe”

Katy Perry – “Last Friday Night (T.G.I.F)”

The Killers – “Mr. Brightside”

Marvin Gaye and Tammi Terrell – “Ain’t No Mountain High Enough”

Here is a link to the whole playlist on YouTube:

Arachnophonia: Prince and the Revolution “Purple Rain”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Griffin (class of 2027) and features Prince and the Revolution’s classic album Purple Rain (available on vinyl and CD at the Music Library). Thanks, Griffin!

Prince and the Revolution

Purple Rain

Purple Rain album cover

How did Prince’s legacy we honor today as an international pop superstar begin? For starters, it comes from this record smashing album that is one of the most iconic records from the 80s. Already making quite a significant headway in the music industry from earlier songs like “1999” and “Little Red Corvette” that got Prince to the peak of some mountains, this album was the ship that blasted off Prince into the stardom we know today. Earning Prince best album of the year, song of the year, and movie of the year, and awarded 4th place on Apple’s 100 best albums list, Purple Rain brought forth the future of music as we know it.

Released in 1984, the album broke the rules of the music genre like never before. This is unsurprising for Prince who always fought against being bound to any one particular label and its restrictions (literal music labels as well as the metaphoric ones). The album mixed pop, soul, funk, R&B, rock, gospel, and neo-psychedelia into an unpredictable sonic experience. This fusion found new ways of expression through music and sent waves of influence into the present landscape of music.

As for the content, Prince explores themes of love, lust, identity, alienation, loss and spirituality. Singing with raw emotional depth, the topics give a profound view into the artist’s life and speaks to the human experience. Through “I Would Die 4 U”, Prince challenges ideas of masculinity and sexuality, becoming one of the first artists of color to champion gender-fluidity on the global stage. Purple Rain also influenced how albums were sold because of its content. The track “Darling Nikkispurred public backlash for its sexually explicit themes, creating the rule in the music industry that albums with child-unfriendly material must have Parental Advisory stickers.

Overall, Purple Rain was one of the most culturally significant albums created and the magnum opus of the late artist formerly known as Prince, and you can check out the vinyl at the Music Library today!

Arachnophonia: City of God

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Griffin (class of 2027) and features the 2002 film City of God. Thanks, Griffin!

City of God

City of God

Based in the favela of Rio de Janeiro, City of God is hard hitting and captivating from the first frame. Loosely based on real events, we follow the lives of a group of boys and their experience growing up in poverty and surrounded by crime.

Although the story jumps around to different perspectives, we mainly follow Rocket who has grown up alongside other boys from his slum. The film masterfully gives depth to the juveniles for their choices as they attempt to escape impoverishment from the limited options. Inevitably, their cruel and demanding childhood leads to gang activity and crime.

Filmically, we quickly are thrown into this whirlwind and quickly submerge into the setting. The world is beautifully pictured simultaneously putting Brazil on display but also having gritty, up close shots of what it takes for the characters to survive. Lively music is used throughout the film, putting their culture on full display. The editing is snappy, making the just over 2 hour movie feel half that length.

The plot points of the movie raise interesting questions, especially with Rocket I found. He is an aspiring photographer that tries to distance himself from criminal activities. But in doing so, he cannot perform as an upstanding citizen and often turns a blind eye to crime. It brings to question the morals of documentarians such as the ones creating the film who interviewed and captured real crime in their recordings. More obviously it makes the viewer think about the ever present circumstances and repeating cycles of crime.

These elements together craft a compelling film that is well deserved of its BAFTA Award for Best Editing it won in 2003. I highly recommend checking City of God out at the music library.

Parsons Playlists: Party Anthems

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Griffin (class of 2027) and song recommendations for your next party.

Party Anthems

A playlist of songs that the volume can’t be loud enough for!

Meek Mill – “Dreams and Nightmares”

Future – “I Serve the Base”

Jay-Z – “Big Pimpin'”

Dr. Dre ft. Snoop Dogg – “Still D.R.E.”

Kanye West – “Power”

T.I. – “Whatever You Like”

T.I. ft. Rihanna – “Live Your Life”

N.E.R.D. and Rihanna – “Lemon”

Travis Scott ft. Drake – “Sicko Mode”

Lil Wayne ft. T-Pain – “Got Money”

Travis Scott – “Can’t Say”

Kanye West – “Heartless”

Usher ft. Lil Jon & Ludacris – “Yeah!”

Don Toliver – “After Party”

Big Sean ft. E-40 – “I Don’t Fuck With You”

Kanye West ft. Rihanna & Kid Cudi – “All of the Lights”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezWLd6Rjgpt2JMq7P7_k9LG&si=4ntr4Ff-kqRfq3Sd

Parsons Playlists: Grammy Winners

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Griffin (class of 2027) and features some recent Grammy award winners.

Grammy Winners

Grammy award

In honor of the recent Grammy Awards, listen to a playlist of some of the songs and albums of the winners and experience some of the best music released this past year!

Kendrick Lamar – “Not Like Us”

Beyoncé – “TEXAS HOLD ‘EM”

Chappell Roan – “Pink Pony Club”

Doechii – “NISSAN ALTIMA”

Lady Gaga, Bruno Mars – “Die With A Smile”

Sabrina Carpenter – “Espresso”

KAROL G, Shakira – “TQG”

Olivia Rodrigo – “so american”

Justice – “Neverender”

Charli xcx – “Von dutch”

The Beatles – “Now And Then”

St. Vincent – “Flea”

Muni Long – “Made For Me” (Live From BET)

SZA – “Saturn”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zew3BHhKSItJuizzpK6Wsuo_&si=W_AvCCanUBxtdCg6

Parsons Playlists: Back to the Future

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Griffin (class of 2027). It features a mix of new and older songs.

Back to the Future

back to the future

Recently, I’ve been listening to mostly old music as well as whatever new releases were coming out, so I thought, why not combine the time differences into one playlist? Listening to them all, it’s interesting to listen to the common themes from each period and how the sound has evolved into what we enjoy today. Listening from old to new, new to old, or shuffling the list gives light to new experiences as well.

Sampha – “Dancing Circles 2.0”

JPEGMAFIA – “either on or off the drugs”

Mustafa feat. Daniel Caesar – “Leaving Toronto”

KAYTRANADA feat. Childish Gambino – “Witchy”

The Weeknd, Playboi Carti – “Timeless”

Clairo – “Juna”

MAXO KREAM X TYLER, THE CREATOR – “CRACC ERA”

FKA twigs – “Eusexua”

Denzel Curry ft. Ty Dolla $ign & Juicy J – “COLE PIMP”

The Temptations – “The Way You Do The Things You Do”

Ben E. King – “Stand By Me”

Sly & The Family Stone – “Family Affair”

The Flamingos – “I Only Have Eyes for You”

Bobby Hebb – “Sunny”

Paul Simon – “50 Ways to Leave Your Lover”

Stevie Wonder – “Don’t You Worry ‘Bout A Thing”

Ray Charles – “What’d I Say”

Bob Dylan – “The Times They Are A-Changin'”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezTVskBwAUxuXEeauYQTMFG&si=2Sv6jGo_Mymlm_Ki

Arachnophonia: “Prince – The Last Interview”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Griffin (class of 2027) and features a collection of various interviews with Prince. Thanks, Griffin!

Prince: The Last Interview and Other Conversations

Prince: The Last Interview and Other Conversations

Prince: The Last Interview is a collection of interview articles curated to create a comprehensive story using primary sources for insight into the superstar’s psyche. Nobody has had a bigger influence on modern American music than the Minnesotan native, bending the boundaries of genre. Born in 1958 and rising to international fame through the 80s and 90s, Prince’s sound couldn’t be described by any classical music labels of music, mixing elements from jazz, funk, synth-pop, rock, and more. Despite his parents both being musicians, Prince claims they never influenced his musical development. Instead, he was influenced by musicians such as James Brown, Sly and the Family Stone, Jimi Hendrix, and Stevie Wonder.

Introduced by Hanif Abdurraqib and by the interviewee Prince, Prince: The Last Interview and Other Conversations pulls together interviews at different stages of his life that begin to unravel the mysterious persona that was known to have an adverse relationship with the media. The collection gives us a glimpse of the icon from back from an interview in his school’s newspaper where his tremendous talent began to be recognized, through the struggles and freedom from the Warner Bros. Records label, his adaption to the computer age, and even his veganism.

Despite his tragic early death in 2016, Prince’s impact can’t be underestimated. Prince: The Last Interview showcases the artist’s thoughts on identity, freedom, religion, the art industry, sexual expression, forgiveness, and most of all how he continued to evolve his beliefs but not falter from them. If you want to know more about this generational talent who experiments with multiple types of artistic expression, you can check out the book from the Parsons Music Library.