Arachnophonia: Bad Bunny “Debí tirar más fotos”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Rocio (class of 2026) and features Bad Bunny’s 2025 studio album Debí tirar más fotos aka DtMF. Thanks, Rocio!

Bad Bunny

Debí tirar más fotos

Bad Bunny -  Debí tirar más fotos  (DtMF) album cover

As an international Latin student, it makes me so happy to see Debí tirar más fotos not only as part of our vinyl collection, but also as one of the staff picks. This album is more than iconic; it is an activist album that speaks to the many injustices Puerto Rico has experienced throughout its history. It is a Latin album rooted in unity, culture, and mucho sazón.

One of my top songs is “Weltita” because it invites people to visit Puerto Rico while also reminding them to respect the island. It does this through a playful, flirty, and loving song. Although it is only mentioned in one line, I especially love the story of Jacinto. Jacinto’s Well is a famous natural sinkhole located at Jobos Beach in Isabela, Puerto Rico. Legend has it that a farmer named Jacinto was herding his cow near the rocks, with the animal’s rope tied around his waist. A loud thunderclap frightened the cow, causing it to fall into the well and drag Jacinto down with it, resulting in both of them drowning. I love how the song can feel cute and romantic while also incorporating a piece of Puerto Rican history and folklore. Benito leaves many references throughout the album that feel especially meaningful to Puerto Ricans and islanders.

Another song I really loved because of its activism is “Lo Que Le Pasó a Hawaii.” In the song, Benito references how Hawaii was taken by force and how its people have been mistreated. He draws a connection between Hawaii and Puerto Rico, warning about what could happen to Puerto Rico as a U.S. territory if its history and people continue to be overlooked. I especially liked how Benito incorporated Ricky Martin into the song when he had the opportunity to perform it at the Super Bowl.

I’ll end with my third pick, “La Mudanza,” which emphasizes how many Latino families are forced to migrate to the United States or other parts of the world. Benito tells the story of a family moving somewhere new while still holding on to their roots and identity. I think this is something many Latino families can relate to, including those who have had to leave their homes in search of better opportunities.

I invite everyone not only to speak up for what is right, but also to listen to the album, pay attention to the small details, and dance it out if you can. DtMF is an album that celebrates Puerto Rican culture while inviting us to think about history, identity, unity, and action.

Arachnophonia: Jay-Z “The Blueprint 3”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Ibrahim (class of 2028) and features Jay-Z’s 2009 studio album The Blueprint 3. Thanks, Ibrahim!

Jay-Z
The Blueprint 3

Jay-Z - The Blueprint 3 album cover

The Blueprint 3 is Jay-Z’s eleventh studio album, released in 2009. It marked a new era for the legendary rapper, showcasing his growth as an artist while embracing modern production and collaborations. The album includes some of Jay-Z’s biggest hits, such as “Empire State of Mind,” “Run This Town,” and “D.O.A. (Death of Auto-Tune).” The Blueprint 3 explores themes of success, ambition, and legacy, all set against sleek, forward-thinking beats that bridge hip-hop’s past and future.

What makes The Blueprint 3 special is its blend of confidence and reflection. Jay-Z celebrates achievement but also examines what it means to stay relevant in a changing world. “Empire State of Mind” became an anthem for perseverance and pride, while songs like “Young Forever” remind listeners of the fleeting nature of fame and time. Whether you’re a longtime hip-hop fan or new to Jay-Z’s music, this album captures both the sound and spirit of an artist at the height of his influence.

The Parsons Music Library has The Blueprint 3 available on CD, so you can experience its powerful mix of beats and ideas yourself. Whether you want to reflect on its lyrics, study its production, or just enjoy its energy, The Blueprint 3 remains one of Jay-Z’s defining works.

Arachnophonia: Kids See Ghosts

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Ibrahim (class of 2028) and features Kids See Ghosts, a 2018 collaboration between Kanye West and Kid Cudi on vinyl. Thanks, Ibrahim!

Kids See Ghosts

Kids See Ghosts album cover (2018)

KIDS SEE GHOSTS is the first and only collaborative studio album by Kanye West and Kid Cudi, released in 2018. It marked a bold change for both artists, blending hip-hop with rock, psychedelia, and experimental sounds. This album includes some of their most acclaimed tracks, such as “Reborn,” “Fire,” and “Cudi Montage.” KIDS SEE GHOSTS deals with themes of mental health, healing, and resilience, making it a powerful and personal favorite among fans.

What makes KIDS SEE GHOSTS unique is its raw honesty and creative production. Songs like “Reborn” repeat a mantra of moving forward, offering listeners a message of growth and renewal. “Cudi Montage” layers Kid Cudi’s reflective lyrics over a haunting guitar sample, showing how music can carry both pain and hope at the same time. Whether you’ve followed Kanye West and Kid Cudi for years or are just discovering their work, this album offers a moving and unforgettable listening experience.

The Parsons Music Library has KIDS SEE GHOSTS available on vinyl, so you can immerse yourself in its striking sound. Whether you want to reflect on its messages, enjoy its bold style, or simply let it play in the background, fans agree that KIDS SEE GHOSTS is a transformative listen.

Arachnophonia: Kendrick Lamar “To Pimp A Butterfly”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Alexandra (class of 2026) and features our vinyl copy of Kendrick Lamar’s 2015 album To Pimp A Butterfly. Thanks, Alex!

Kendrick Lamar

To Pimp A Butterfly

Kendrick Lamar - To Pimp A Butterfly - Album Cover Art

Kendrick Lamar’s To Pimp a Butterfly album is still as popular now, if not more, than it was when it was released in 2015. The album features a wide variety of songs, with some more jazzy, experimental, and some more typical hip-hop. One of the most infamous songs featured is “Alright.” The instrumental was produced by Pharrell Williams in 2014 for rapper Fabolous. When Fabolous turned the song down, it was turned over to Kendrick Lamar where he started creating lyrics. Initially, Kendrick Lamar stated he felt the song did not fit well with the rest of the album. After adding some drums to the background, Kendrick approved it for his album.

“Alright” alone received four nominations for Grammy awards, winning Best Rap Song and Best Rap Performance. The total album earned Lamar seven nominations at that year’s Grammy Awards. The album went on to win Best Rap Album for the year. In the years following, To Pimp A Butterfly was named one of the best albums of the 2010s and Rolling Stone’s added it to The 500 Greatest Albums of All Time. All of the awards highlight the experience the album provided. The numerous musical styles and messages provided in each song have continued to make it feel fresh after each listen, contributing to the popularity of the album still seen today.

Parsons Playlists: J. Cole

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Ibrahim (class of 2028) and features music by hip hop artist J. Cole.

J. Cole

J Cole

Greetings, everyone! This post contains some of my favorite songs by my favorite artist, J. Cole!

J. Cole – “4 Your Eyes Only”

J. Cole – “Fire Squad”

J. Cole – “Villematic”

J. Cole – “Lion King on Ice”

J. Cole ft. Bas & 6LACK – “let go my hand”

J. Cole – “Change”

J. Cole – “Apparently”

J. Cole – “’03 Adolescence”

J. Cole – “interlude”

J. Cole – “95.south”

J. Cole – “Dead Presidents II”

J. Cole – “Neighbors”

J. Cole – “Folgers Crystals”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zew8XQQJioWR0GgSQnKHciHF&si=PHNiokci-IKnLayY

Arachnophonia: Kendrick Lamar “To Pimp A Butterfly”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Susanne (class of 2026) and features Kendrick Lamar’s 2015 album To Pimp A Butterfly. Thanks, Susanne!

Kendrick Lamar

To Pimp A Butterfly

Kendrick Lamar - To Pimp A Butterfly - Album Cover Art

Celebrating 10 Years of To Pimp A Butterfly

Released almost 10 years ago on March 15, 2015, To Pimp A Butterfly is American rapper Kendrick Lamar’s third studio album. To Pimp A Butterfly blends numerous genres rooted in African American music styles, including hip-hop, jazz, funk, and soul.

The album centers political commentary surrounding racial violence and institutional discrimination, gaining widespread recognition for the artistry and social impact of the lyricism. Lamar drew inspiration from his travels to South Africa where he was able to draw connections between their racial and social landscape and Black communities of the U.S.

To Pimp A Butterfly centers Black memory and tradition while still focusing on contemporary social issues. Lamar’s song “Alright,” for example, came to be used in the Black Lives Matter movement as a call to action. Lamar received eleven total nominations at the 2016 Grammy Awards, seven just for To Pimp A Butterfly, and won Best Rap Album of the Year.

At a time of growing Black activism throughout the country, To Pimp A Butterfly had a tremendous impact on the hip-hop and rap industry. Many artists and fans alike cite Lamar’s album as a moment of empowerment to create pieces that express their cultural experiences and speak out against critical social inequalities.

Arachnophonia: Common – “Be”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Isaac (class of 2025) and features Common’s 2005 album Be. Thanks, Isaac!

Common

Be

Common - Be (2005)

Be by Common is a special album because it’s honest, inspiring, and full of heart––and also one of my favorite albums in the music library.

Released in 2005, it came at a time when Common wanted to reconnect with his roots in hip-hop and tell stories that felt real to him. Produced largely by Kanye West, the album’s beats have a warmth and depth that perfectly complement Common’s thoughtful lyrics.

Tracks like “The Corner” and “Go!” bring vivid imagery of urban life, while songs like “Love Is…” and “Faithful” explore love and spirituality with nuance and sincerity.

Common himself is known for being one of the most reflective and poetic voices in hip-hop, never missing a chance to reference his hometown of Chicago. With Be, he really focused on making music that felt authentic and meaningful, not just catchy. Songs like “The Corner” talk about life in the city, while “Faithful” and “Love Is…” explore deeper ideas about relationships and spirituality.

My personal favorite track, “The Food (Live),” is a grainy live recording of Common and Kanye West performing the song in Chicago, with the two windy city natives poetically discussing their hometown in a raw, authentic manner that’s emphasized by the live atmosphere, supported by a punchy, upbeat production in the background. The way the album was made — focused on collaboration and storytelling — makes Be a gem at the music library, and I recommend checking it out one day.

Parsons Playlists: Kendrick Lamar

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Luis (class of 2025) who shares some of his favorite Kendrick Lamar songs in the wake of Lamar‘s appearance in the Super Bowl Halftime show on February 9th.

Kendrick Lamar

Kendrick Lamar Half Time Show Performance

As many of you might already know, Kendrick Lamar graced this year’s Super Bowl Halftime Show with an unforgettable performance. For those who may not be familiar with him, Kendrick Lamar is an American rapper, songwriter, and record producer, renowned for blending hip-hop with elements of jazz, funk, soul, and spoken word. His music often delves into themes such as race, social justice, and personal introspection. Lamar’s work is celebrated for its thought-provoking storytelling and intricate, layered lyricism.

Beyond his music, he is a powerful voice for activism, using his platform to address important issues impacting the African-American community. Following his recent Super Bowl performance, which many have described as a powerful statement filled with symbolism, discussions about his message regarding the current political climate in the U.S. have been buzzing across social media. With that in mind, I wanted to share some of my favorite songs by Kendrick Lamar.

Kendrick Lamar – “Humble”

Kendrick Lamar – “Swimming Pools (Drank)”

Kendrick Lamar (ft. Zacari) – “LOVE”

Kendrick Lamar (ft. Jay Rock) – “Money Trees”

Kendrick Lamar – “Bitch, Don’t Kill My Vibe”

Kendrick Lamar and SZA – “luther”

Kendrick Lamar – “Squabble Up”

Kendrick Lamar – “tv off”

Kendrick Lamar – “Not Like Us”

Kendrick Lamar and SZA – “All The Stars”

SZA (ft. Kendrick Lamar) – “30 For 30”

Kendrick Lamar, Metro Boomin, and Future – “Like That”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zezy-7tY2ZXWT7JESsEvc5V4&si=7ePWGFOcX6CYkhD6

Parsons Playlists: 1990s and 2000s Hip Hop

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Deisy (class of 2024) and features some hip hop from the 1990s and 2000s.

1990s and 2000s Hip Hop

Graffiti wall music

Listen to some hip hop from the 90’s and early 2000’s.

Twista (ft. Pharrell Williams) – “Lavish”

Young Money – “Every Girl”

Project Pat – “Choose U”

The Dream – “I Luv Your Girl”

G-Unit (ft. Joe) – “Wanna Get To Know You”

Jay-Z – “Girls, Girls, Girls”

Biggie (ft. Junior M.A.F.I.A.) – “Get Money”

Eve (ft. Gwen Stefani & Stevie J) – “Let Me Blow Ya Mind”

Brandy (ft. Queen Latifah, Yo-Yo & Mc Lyte) – “I Wanna Be Down”

2Pac – “Can U Get Away”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezyIVVpOw72W-MBzuUJgAyh&si=Ciugaj1tAn1Z_JI-

Arachnophonia: Kanye West “Graduation”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Deisy (class of 2024) and features Kanye West’s 2007 studio album Graduation. Thanks, Deisy!

Kanye West

Graduation

Kanye West - Graduation album cover (2007)

Kanye West has been one of the most talented and controversial men in the current music industry. Apart from the many social and political statements he has made throughout the years, West is one of the best producers and lyricists in music.

From his debut album The College Dropout to my favorite album Graduation, West has found ways to express himself and others through his music. You can find a number of West’s albums in our collection at Parsons Music Library including Graduation. This 2007 album has many memorable songs such as “Stronger,” “I Wonder,” “Can’t Tell Me Nothing,” and my favorite, “Flashing Lights.”

Additionally, those interested in finding out more about this artist and where he has come from, there is an amazing documentary on Netflix called jeen-yuhs: A Kanye Trilogy. It’s a very interesting documentary that shows the process of his first album and how he came up in the musical scene.