Arachnophonia: Prince and the Revolution “Purple Rain”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Griffin (class of 2027) and features Prince and the Revolution’s classic album Purple Rain (available on vinyl and CD at the Music Library). Thanks, Griffin!

Prince and the Revolution

Purple Rain

Purple Rain album cover

How did Prince’s legacy we honor today as an international pop superstar begin? For starters, it comes from this record smashing album that is one of the most iconic records from the 80s. Already making quite a significant headway in the music industry from earlier songs like “1999” and “Little Red Corvette” that got Prince to the peak of some mountains, this album was the ship that blasted off Prince into the stardom we know today. Earning Prince best album of the year, song of the year, and movie of the year, and awarded 4th place on Apple’s 100 best albums list, Purple Rain brought forth the future of music as we know it.

Released in 1984, the album broke the rules of the music genre like never before. This is unsurprising for Prince who always fought against being bound to any one particular label and its restrictions (literal music labels as well as the metaphoric ones). The album mixed pop, soul, funk, R&B, rock, gospel, and neo-psychedelia into an unpredictable sonic experience. This fusion found new ways of expression through music and sent waves of influence into the present landscape of music.

As for the content, Prince explores themes of love, lust, identity, alienation, loss and spirituality. Singing with raw emotional depth, the topics give a profound view into the artist’s life and speaks to the human experience. Through “I Would Die 4 U”, Prince challenges ideas of masculinity and sexuality, becoming one of the first artists of color to champion gender-fluidity on the global stage. Purple Rain also influenced how albums were sold because of its content. The track “Darling Nikkispurred public backlash for its sexually explicit themes, creating the rule in the music industry that albums with child-unfriendly material must have Parental Advisory stickers.

Overall, Purple Rain was one of the most culturally significant albums created and the magnum opus of the late artist formerly known as Prince, and you can check out the vinyl at the Music Library today!

Arachnophonia: Billie Eilish “Hit Me Hard and Soft”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Susanne (class of 2026) and features Billie Eilish’s 2024 studio album Hit Me Hard and Soft. Thanks, Susanne!

Billie Eilish
Hit Me Hard and Soft

Billie Eilish - Hit Me Hard and Soft

Great news, music library people! Our vinyl collection is expanding and we have some exciting new(er) records to share with you all. One addition that’s been super exciting to me is Billie Eilish’s Hit Me Hard and Soft.

Eilish’s third studio album was released just last year on May 17, 2024 and was co-authored by her brother, Finneas O’Connell. The album features 10 tracks, most of which you’ve probably heard on the radio, on social media, or out in public. Hit Me Hard and Soft was widely praised and received two Grammy nominations for Album of the Year and Best Pop Vocal Album. It explores themes of love, heartbreak, insecurity, and queer identity and relationships.

When I first listened to the album I jumped between songs a bit, not realizing the musical and narrative elements that flowed between each track when played in order. Each song blends into the next, creating a really cool, cohesive listening experience which, in my opinion, is even better when using physical music like a record instead of a streaming platform. My favorite songs have shifted a lot since the album was released, but as of right now I would recommend “Chihiro,” “The Greatest,” and “Bittersuite.”

Hit Me Hard and Soft is at times humorous and snarky, occasionally heartbreaking, and always vocally and musically superb. Definitely check it out (literally, at the library!) and enjoy this album that has so much to offer.

Arachnophonia: The Steve Miller Band “Anthology”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Rocio (class of 2027) and features the vinyl set Anthology by the Steve Miller Band. Thanks, Rocio!

From Space Cowboys to Study Breaks: My Ride with the Steve Miller Band

The Steve Miller Band Anthology

Steve Miller Band - Anthology

We all have those songs. The ones that come on the radio and give you a pure hit of nostalgia. You might not know the name of the album, or even all the words, but you know the feeling. For me, a lot of those songs are by the Steve Miller Band. They bring me back to car rides with my dad, blasting music and trying to sing along to songs that are now forever engraved in my memory.

On my latest trip to the Music Library’s vinyl section, I wasn’t looking for anything in particular. That’s when I saw it: a compilation that looked like a greatest hits list from classic rock heaven, Steve Miller Band – Anthology. It was a two-record treasure chest and transported me back to those car rides with my dad. That feeling is something really special, especially since I don’t see a lot of college students thinking about their parents that often. But the truth is, as an international student, I’m always thinking of mine, and this album made me feel a couple of miles closer to home.

Moving past my personal anecdote, the great thing about these vinyls — whether it’s Miller or anything else in the Music Library — is that you can tap into that vibe without digging through your parents’ attic for a turntable. The library has that covered. I ended up taking a full-on study break to listen to the album, one hit after another. It’s a masterclass in 70s rock. There’s a reason these tracks have survived decades — they’re just pure, uncomplicated fun.
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So, if you need a break that actually feels like a break, I have a suggestion. Go to the Music Library. Find that call number or just wander the vinyl section until a familiar face (or album cover) winks at you.
Plug in your headphones, drop the needle, and take a 45-minute vacation. Or, if your dorm room needs a soundtrack, you can simply check it out.

Arachnophonia: Kids See Ghosts

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Ibrahim (class of 2028) and features Kids See Ghosts, a 2018 collaboration between Kanye West and Kid Cudi on vinyl. Thanks, Ibrahim!

Kids See Ghosts

Kids See Ghosts album cover (2018)

KIDS SEE GHOSTS is the first and only collaborative studio album by Kanye West and Kid Cudi, released in 2018. It marked a bold change for both artists, blending hip-hop with rock, psychedelia, and experimental sounds. This album includes some of their most acclaimed tracks, such as “Reborn,” “Fire,” and “Cudi Montage.” KIDS SEE GHOSTS deals with themes of mental health, healing, and resilience, making it a powerful and personal favorite among fans.

What makes KIDS SEE GHOSTS unique is its raw honesty and creative production. Songs like “Reborn” repeat a mantra of moving forward, offering listeners a message of growth and renewal. “Cudi Montage” layers Kid Cudi’s reflective lyrics over a haunting guitar sample, showing how music can carry both pain and hope at the same time. Whether you’ve followed Kanye West and Kid Cudi for years or are just discovering their work, this album offers a moving and unforgettable listening experience.

The Parsons Music Library has KIDS SEE GHOSTS available on vinyl, so you can immerse yourself in its striking sound. Whether you want to reflect on its messages, enjoy its bold style, or simply let it play in the background, fans agree that KIDS SEE GHOSTS is a transformative listen.

Arachnophonia: Kendrick Lamar “To Pimp A Butterfly”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Alexandra (class of 2026) and features our vinyl copy of Kendrick Lamar’s 2015 album To Pimp A Butterfly. Thanks, Alex!

Kendrick Lamar

To Pimp A Butterfly

Kendrick Lamar - To Pimp A Butterfly - Album Cover Art

Kendrick Lamar’s To Pimp a Butterfly album is still as popular now, if not more, than it was when it was released in 2015. The album features a wide variety of songs, with some more jazzy, experimental, and some more typical hip-hop. One of the most infamous songs featured is “Alright.” The instrumental was produced by Pharrell Williams in 2014 for rapper Fabolous. When Fabolous turned the song down, it was turned over to Kendrick Lamar where he started creating lyrics. Initially, Kendrick Lamar stated he felt the song did not fit well with the rest of the album. After adding some drums to the background, Kendrick approved it for his album.

“Alright” alone received four nominations for Grammy awards, winning Best Rap Song and Best Rap Performance. The total album earned Lamar seven nominations at that year’s Grammy Awards. The album went on to win Best Rap Album for the year. In the years following, To Pimp A Butterfly was named one of the best albums of the 2010s and Rolling Stone’s added it to The 500 Greatest Albums of All Time. All of the awards highlight the experience the album provided. The numerous musical styles and messages provided in each song have continued to make it feel fresh after each listen, contributing to the popularity of the album still seen today.

Arachnophonia: Frank Sinatra “Strangers in the Night”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Rocio (class of 2027) and features a vinyl record by Frank Sinatra. Thanks, Rocio!

Finding an Old Soul in the Stacks: My Afternoon with Frank Sinatra

Frank Sinatra - Strangers in the Night (1966 album cover)

We all have our study traps: 8:15, tea, coffee, or the intense silence of the top floor of the main library. My go-to lately has been the Music Library, not just for the quiet, but for the escape.

I found myself in front of the vinyl section, and my eyes went directly to the Frank Sinatra – Strangers in the Night record. It felt like finding a classic novel you’ve only ever heard quoted. I pulled out the vinyl: the cover was cool but simple. It was just Sinatra, looking effortlessly detached. It felt like an invitation.

The best part is that I didn’t even need to own a record player to listen to it. And yes, I know I can find Sinatra on Spotify (hot take: I really don’t like Apple Music); but I sometimes like going to the source. There’s something about vinyl that makes the music feel more authentic —- but that’s just my opinion.

Anyways, back to the amazing players we have in the library (one in study room 1, one in the main reading room and a portable record player you can check out). I took the record over, plugged my AirPods into the player, and lowered the needle. An unmistakable trumpet began, and Sinatra’s voice cut through—smooth, clear, and completely transporting. I listened to the whole album. There’s an intentionality to vinyl that an algorithm can’t replicate.

This is the secret no one tells you about the Music Library: it’s not just a resource; it’s an experience. It’s a chance to connect with music the way it was originally meant to be heard — with intention. You’re not just clicking ‘shuffle’; you’re handling art, carefully placing the needle, and committing to an entire album’s journey.

So, whether you’re a vinyl veteran or just vibe-curious, I challenge you. Go to the Music Library. Find
that call number (in this case, RM 1630.18.S47), just browse the vinyl section until an icon calls out to you, or ask one of our friendly library staff to help you find something!

Plug in your headphones at the turntable station and have a private listening party. Or, if you’re like me and the experience was too good to leave behind, you can simply check it
out. Yes, you can take Frank Sinatra back to your dorm, just remember to bring him back to the Music Library too.

Arachnophonia: Unlock the Hidden Gems of The Music Library — More Than Just Books!

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Nikoloz (class of 2026) and features an assortment of items you can borrow from the Music Library that aren’t books or CDs. Thanks, Nikoloz!

Unlock the Hidden Gems of The Music Library — More Than Just Books!

We all know that libraries are a treasure trove of books and CDs, but did you know the Music Library offers so much more?
Whether you’re studying, exploring new hobbies, or just looking for some entertainment, the Music Library has resources you might not even know about. Here’s a quick guide to some of the amazing items you can check out and use:

DVDs
Movie night, anyone? You can borrow concert films, musicals, operas, educational documentaries and more from the Music Library. Just remember, these have a shorter loan period (one week), so plan your binge-watching accordingly!

DVD sampler

The Music Library loans out equipment too! Here are some of the coolest items you can borrow:

DVD Players: Don’t have a player at home? No problem—the library has you covered with a portable DVD player you can check out for a week.

We also offer External CD/DVD drives (USB) for in-library use. These can be plugged into the USB port on your laptop once they’re checked out. The loan period for this item is 4 hours.

External CD/DVD drive (USB)

Record Players and more: Love vinyl records? You can find a turntable in one of the study rooms (W201A), and enjoy the warm, nostalgic sound of your favorite albums.

The Music Library also has a portable record player that can be checked out from the library for one week!

Record Player

Did you know the Music Library has a vinyl record collection that can also be checked out? You can browse our vinyl holdings here.

You can also check out a boom box to play CDs, listen to the radio, or use as a Bluetooth speaker.

Boom Box

Laptops: Laptop computers are available for in library use for a 6 hour loan period. Perfect for cramming in some study time or finishing a last-minute assignment.

lenovo laptop

Why Not Explore?

Next time you’re in the library, take a moment to explore these lesser-known resources. Whether you’re checking out the turntable to spin some vinyl, grabbing a DVD for movie night, or borrowing a laptop to finish a project, The Music Library has something for everyone.

Don’t forget to ask the friendly staff at the main desk if you need help finding anything -— they’re there to make your library experience amazing!

Arachnophonia: Barry Manilow

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eli (class of 2024) and features a vinyl LP of Barry Manilow hits. Thanks, Eli!

Barry Manilow

Barry Manilow  - Greatest Hits

While perhaps somewhat unknown among younger generations, Barry Manilow’s music career has spanned seven decades and has produced 51 top 40 singles and 13 platinum albums. He is most known for his hits “Copacabana,” “Mandy,” and “Could it be Magic,” but my far and away favorite Manilow masterpiece is “I Write the Songs.”

Manilow’s soft and sentimental ballad reached the top spot of Billboard charts upon release in 1977. Except, the song is not Barry Manilow’s. Written in 1975 by Beach Boys member Bruce Johnston, the song was first released by teen sensation David Cassidy in 1975. Cassidy’s version peaked at number 11 on the UK singles chart but has been far outshone by Manilow’s recording, which has tens of millions of plays on Spotify today. Manilow originally refused to record his own version of the song, as he felt that the public would not carefully listen to the lyrics and would think Manilow was singing about himself, instead of another, mysterious “I.” Following the massive success of his version, Manilow wrote and released another song called “I Really Do Write the Songs” as a bonus track of his 2006 reissue of This One’s for You.

If you would like to take a listen to Manilow’s version of the song, as well as his other greatest hits, pay a visit to our vinyl LP collection.

i write the songs 2