Welcome back to Parsons Playlists! Today we’re featuring a selection of songs with Funky Bass Grooves as curated by Music Library student manager Christian (class of 2023).
Parsons Playlists: Funky Bass Grooves
A playlist of some great songs with dangerously funky bass lines.
Welcome back to Parsons Playlists! Today we’re featuring a playlist of Broadway tunes curated by Music Library student assistant Kinme (class of 2022).
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
If you’re any fan of Disney, or of musicals, there can be a 95% guarantee – if not 100%, that you have heard of Alan Menken. Menken, born in 1949 in Manhattan, is a composer and songwriter who has worked tirelessly since 1972 to give the American public and worldwide audiences the pleasures of listening to his incredible musical abilities, writing songs for some of our favorite Disney movies, musicals, and shows.
Just the sheer variety of different types of films/musicals and the musical talent to be able to write completely original songs with varying styles is incredible. And all of them were absolute hits. This incredible discography is beyond fascinating. Just imagine – currently in New York, Little Shop of Horrors is playing again Off-Broadway. Aladdin is on Broadway. The Little Mermaid live action remake is coming out in 2023. The Hunchback of Notre Dame’s live-action remake is in the works. That is four – yes four – pending or active projects that have Menken’s name attached to them.
Parsons Music Library has had the privilege to house the Alan Menken Songbook, with scores for piano, voice, and guitar. Some of his most popular pieces are held in this 188 page score.
Songs that are included are “Sante Fe” (Newsies), “Somewhere That’s Green” (Little Shop of Horrors), “Proud of Your Boy” (Aladdin), “Go the Distance” (Hercules), “A Change in Me” (Beauty and the Beast) and a variety of other classics.
As you play, listen, or read the scores for all 28 songs included in the songbook, you can feel the different styles and the creativity needed to write songs for such Disney-esque plots. Nothing Disney has come out with has ever been less than imaginative – it takes an even more imaginative person to bring those creative tales to life through song. And that is all achieved through Menken’s song writing abilities.
Welcome back to Parsons Playlists! Today we’re featuring a collection of Bollywood music from the 2000s curated by Music Library student assistant Kiran (class of 2024). Editor’s Note: since Bollywood songs are often from films, I’ve linked to some titles that are available to check out in the library catalog so you can see them in their full context if you want!
Bollywood music has always been a staple of my childhood. On my way home from school, my grandmother would put in a CD with over her favorite songs and we would listen to new ones every day. I love how upbeat it is and the variety of instrumentation used. It is so different from Western music, but just as good in my opinion. These songs are from the early 2000s to 2010.
Welcome back to Parsons Playlists! Today we’re featuring a collection called “Duck, Fish & Spongebob” curated by Music Library student assistant Naron (class of 2023).
Naron says that the theme of this playlist is “Instrumental Music with clean rhythm(some singing, but singing is not the major part)” and that it is “a collection of instrumental music that speaks about different little drops of emotions in life.”
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
This book is an amazing introduction into the physics of acoustics, as well as all types of musical instruments. It may come as no surprise that scholarship on the physics of instruments has become much more popular as technology has been developed that allows us to answer questions about instruments in detail. Fletcher summarizes this scholarship in a cohesive and reader-friendly way, providing the physical background information needed to understand topics such as the physics of a horn, how a bowed string behaves, the importance of the violin body, etc. I find this to be a great example of the way that music interacts with all subjects and how applications of sciences to the musical arts allows us to have a deeper understanding of what we are doing when we play an instrument.
Welcome back to Parsons Playlists! Today we’re featuring a playlist to get you into the Halloween spirit curated by Music Library student assistant Nicole (class of 2024).
Spooky Season is here!
Are you excited for Halloween!? Enjoy this playlist as you think about the costume you’ll wear for the 31st!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
One of the big names in classical music, Claude Debussy, has greatly influenced the movement of music and art even past his years. His work is a great way to have a study session and or even to play on a rainy evening to unwind.
There is something so calming about his music. I love to play it when I’m studying and when I’m falling asleep, especially the song “Claire de Lune”. It has been in my playlist since I can remember and has always made me feel like I am part of some Disney movie.
Debussy has been a source of inspiration for many artists. Art is the inspiration of other art, we gather things we like and make them our own. Because of this, we see that Debussy is a very important aspect of the art community. Painters use his music to inspire a story in their artwork, theaters use his music to add emotion to a play, pianists use his music as inspiration for their own pieces. Because art is a cycle of borrow, transform, repeat, we can understand how influential a big musician was to an artist even in the 21st century.
Sometimes when studying, you don’t want to sit in total silence but you also don’t want to listen to Drake’s new album, Certified Lover Boy. Debussy’s music is a great balance of both, it gives you some background noise but will not distract you with lyrics.
Welcome back to Parsons Playlists! Today we’re featuring a collection of cello solo essentials curated by Music Library student manager Brianna (class of 2023).
This playlist includes what I find to be the most essential cello solo music to know by heart. These are some of my favorite pieces written for the cello!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
The Shanghai Quartet is one of my favorite string quartets. After receiving coaching from them, I was not only able to work on my own violin techniques efficiently, but also learned to listen and appreciate string quartet music more actively. This semester, the documentary Behind the Strings, shown at the Richmond International Film Festival featured the Shanghai Quartet, so I got to learn more about each member of the quartet and how they have become so successful today.
One of the attributes of the Shanghai Quartet is their Chinese heritage, which I also share similar experiences with. Therefore, in the documentary, I was especially impressed and attracted to the string quartet arrangement they performed based on a number of traditional Chinese folk songs. It is well known that a string quartet is one of the most prominent and common chamber ensemble arrangements in Western Classical music. Collaborating with Chinese folk music, which is largely based on the pentatonic scale and is very different from Western classical music, Shanghai Quartet’s performance illustrates the best possible way of culture integration, as they infuse the music with their personal experiences and emotions growing up in a different cultural background.
Zhou Long, the composer of the album The Flowing Stream: Chinese Folk Songs and Tone Poems, mentioned that “for many years, I have been devoted to merging Eastern and Western cultures through my music. That has meant, specifically, the combining of ancient Chinese musical traditions and western compositional techniques into a coherent and personal statement”. The Shanghai Quartet shared similar experiences and values with Zhou; therefore, they were able to fully support his compositions through their performances.
Chinese folk songs are valued greatly because of their historical and cultural significance. Based on the album’s description, these songs mirror people’s daily lives, thoughts, and sentiments in Chinese culture. Nowadays, these songs are widely re-created and shared in the global music world. One of the songs that I found being the most representative in this album is “Jasmine Flower.” The lyrics are simple, “Jasmine flower, such a beautiful flower, her sweet scent covers all others in the garden…”. In the 2016 Chinese New Year Gala, Celine Dion performed this song with Song Zuying, a Chinese classical/folk singer. Here is a link to the performance:
Here is a link to the version arranged by Zhou Long, as performed by the Shanghai Quartet:
In this version, the first violin starts the main melody, mimicking the soprano vocal line. Then, all four strings pass the melody to each other, accompanied by pizzicatos in the rest of the voices. This arrangement focuses on the aspect that the texture of Chinese folk music is often monophonic, where only one instrument is playing or one voice is leading. To me, hearing Eastern Music performed on Western instruments always creates a different feeling.
There are also four pieces that are created from poems in the Tang Dynasty. Zhou Long composed these four pieces based on four different poems for string quartet and orchestra. The four poems are:
To me, Zhou Long’s inspirations in these four pieces derived from the original poem verses. He emphasized on the meaning of these verses and added his feelings into his composition. I am able to have visual interpretations from his music. For example, in the first piece – “Hut Among the Bamboo,” the rests between different parts, the pizzicatos, and the shifting harmonics vividly presented an image of being in a bamboo forest alone. Meanwhile, I do find the composition style really similar to some characteristics in Igor Stravinsky’s music, as they are both contemporary pieces.
